List of Artistic Works

(compositions, installations, scores, concert-length works)

<work, media. (duration.) year.>

 

 

Birds, Horses, and Folks. Horizontal first order ambisonics. 22 mins 43 secs. 2020.

Gendhing Cosmic 2. 7th order ambisonics fixed media. 10 mins 13 secs. 2020.

Angklung Drone. Stereo live electronics. 20 mins. 2020.

T. Participatory composition. At least 5 mins. 2020.

Reverse. 3rd order ambisonics fixed media. 5 mins. 2019.

Ungklang-Angklung. 8-channel fixed media. 11 mins 43 secs. 2019.

Exploring the Music of Your Office. Interactive sound installation. 2019.

The Night is Dark and Full of Roarers. Saluang, sarunai, bansi, and multichannel live electronics. 10-15 mins. 2019.

Drama Kata-Kata (Drama of Words). Stereo fixed media. 8 mins 38 secs. 2018.

Mother Earth: Land & Water. Stereo fixed media & 3rd order ambisonics (in collaboration with Katie Kummerow and Setyastuti). 5-6 mins 30 secs. 2018 & 2019.

Agile Steps. Solo piccolo/flute/alto flute. 5 mins. 2018.

Gendhing Cosmic. 4-channel & 5th order ambisonics installation. 2018 & 2019.

The Autobiography of Broken Instruments. 2-channel fixed media. 4 mins 53 secs. 2019.

The (Real) Laptop Music :)). Stereo audiovisual media. 5 mins and 9 mins 36 secs. 2017 & 2019.

Spirals. two violins. 12 mins 19 secs. 2017.

Mulur-Mungkret. Kendang, gender, siter, slenthem, gong, bassoon, & 3 sarons. 10 mins. 2017.

Open Kitchen. Fixed media. 5 mins 55 secs. 2017.

Blues Pulse. Tenor sax & improvised quinto. 9 mins. 2017.

Remember the Forgotten 2. Bassoon & live electronics. 9 mins 17 secs. 2017.

Gatra. Gong, piano, slenthem, vibraphone, & bonang panerus. 7 mins 33 secs. 2016.

Gunung Singgalang. Solo prepared mountain dulcimer. 5 mins. 2016.

Mode[a]rn. Participatory concert-length performance. 1 hour 30 mins. 2016.

Apa Kamu Ingat yang Terlupa (Remember the Forgotten). Participatory composition. 6 mins. 2016.

Gendhing Trans-Border. Constructed improvisation for infinite number of mixed instruments. At least 5 mins. 2016.

Counter Strike. Conducted improvisation for infinite number of mixed instruments. At least 5 mins. 2015.

<untitled>. Participatory graphic score (in collaboration with Katya Shilonosova). 2015.

Semut (Ants). String quartet. 12 mins. 2015.

Sequential Series 135. Big band. 9 mins. 2015.

Percakapan dengan Kebisingan. Stereo audiovisual fixed media. 3 mins. 2016.

Water Siter. Two prepared harpsichords & Erard vleugel (a period piano). At least 8 mins. 2015.

Sketch for Alex. Steel-string acoustic guitar. 60 secs. 2015.

in 4. Collaborative composition for an infinite number of instruments (in collaboration with 39 composers). 45 mins. 2015.

Streams. Big band. 8 mins. 2013.

Sajak Sang Rumput. Female vocal, clarinet, piano, double bass, and drum. 6 mins 35 secs. 2013.

Pada Sebuah Titik. Female vocal, soprano sax, flugelhorn, and drum. 6 mins. 2013.

Karena Rasa Hanyalah Titipan. Male vocal, tenor sax, piano, electric bass, and drum. 5 mins 27 secs. 2013.

Jika Sepi Mampir ke Rumah. Male vocal and electric bass. 6 mins 8 secs. 2013.

Ko Put On. Male vocal, baritone sax, keyboards, electric guitar, and drum. 7 mins 50 secs. 2013.

Sepakat Untuk Tidak Sepakat. Male vocal, baritone sax, electric bass, double bass, and drum. 4 mins 18 secs. 2013.

Jika Rindu Itu Peluru. Female vocal, tenor sax, keyboards, double bass, and drum. 6 mins 40 secs. 2013.

Nota 16 Maret 2010. Male vocal, tenor sax, flugelhorn, siter, keyboards, and drum. 5 mins 33 secs. 2013.

If I were a Book. Female vocal, clarinet, violin, and cello. 4 mins 29 secs. 2013.

Membuatku Cinta. Male vocal, tenor sax, keyboards, electric bass, and drum. 2012.

Syukur Itu Memberi. Female vocal, male vocal, soprano sax, keyboards, electric bass, and drum. 5 mins 8 secs. 2012.

Manggali. Female vocal, soprano sax, tenor sax, keyboards, electric bass, and drum. 5 mins 56 secs. 2011.

Sederhana Itu Cinta Kita. Female vocal, soprano sax, and keyboards. 5 mins 52 secs. 2011.

Belajar Bijaksana. Female vocal, male vocal, tenor sax, keyboards, electric bass, and drum. 3 mins 20 secs. 2011.

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© Jay Afrisando 2020